King's Kung-Fu& Tai Chi

Art of War 7.2

The Art of War (孫子兵法), Manœuvring 軍爭篇

合軍聚衆交和而舍

Having collected an army and concentrated his forces, he must blend and harmonise the different elements thereof before pitching his camp.

Lionel Giles (1910), Sun Tzŭ on the Art of War (1910), with Giles' notes — public domain.

Lionel Giles's notes

Ts‘ao Kung takes 和 as referring to the 和門 or main gate of the military camp. This, Tu Mu tells us, was formed with a couple of flags hung across. [Cf. Chou Li, ch. xxvii. fol. 31 of the Imperial edition: 直旌門.] 交和 would then mean “setting up his 和門 opposite that of the enemy.” But Chia Lin’s explanation, which has been adopted above, is on the whole simpler and better. Chang Yü, while following Ts‘ao Kung, adds that the words may also be taken to mean “the establishment of harmony and confidence between the higher and lower ranks before venturing into the field;” and he quotes a saying of Wu Tzŭ (chap. 1 ad init): “Without harmony in the State, no military expedition can be undertaken; without harmony in the army, no battle array can be formed.” In the historical romance 東周列國, chap. 75, Sun Tzŭ himself is represented as saying to 伍員 Wu Yüan: 大凡行兵之法先除內患然後方可外征 “As a general rule, those who are waging war should get rid of all domestic troubles before proceeding to attack the external foe.” 舍 is defined as 止. It here conveys the notion of encamping after having taken the field.

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Passages with shared wording

Data: English Wikisource (Public domain texts; transcription CC BY-SA 4.0). Retrieved 2026-10-22.